Jumping the Creek cover

Jumping the Creek

Charles Lloyd · 2005

68 min · 10 tracks · blues

A meditative blend of jazz improvisation and blues inflections, rich with emotive saxophone melodies and intricate rhythmic textures.

Top tracks — play these first

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    Ne me quitte pas — This expansive track features haunting saxophone lines that evoke deep emotional landscapes, serving as a centerpiece for the album's reflective tone.
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    Georgia Bright Suite: Pythagoras at Jeckyll Island / Sweet Georgia Bright — The suite blends storytelling and complex rhythms, showcasing Lloyd's mastery in intertwining narrative and musicality, making it a highlight of the album.
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    Come Sunday — In this track, Lloyd's saxophone delicately articulates themes of faith and hope, creating a moving dialogue between the instrument and piano accompaniment.

Is this for you?

Good fit if you like

  • meditative soundscapes for reflection
  • extended tracks for deep focus
  • serene landscapes for quiet moments
  • improvisational journeys of exploration

Maybe skip if you

  • prefer fast-paced, upbeat music
  • seek immediate gratification in songs

Where this album fits

Career context
When Charles Lloyd released 'Jumping the Creek' in 2005, he was experiencing a creative resurgence after years of relative quiet following his initial breakthrough in the 1960s. This album marked his return to recording after a five-year hiatus and showcased his evolution as a musician, blending jazz with deeply personal reflections and world music influences.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Ne me quitte pas 13:29
  • 2 Ken Katta Ma Om 5:45
  • 3 Angel Oak Revisited 3:34
  • 4 Canon Perdido 3:01
  • 5 Jumping the Creek 5:57
  • 6 The Sufi's Tears 3:06
  • 7 Georgia Bright Suite: Pythagoras at Jeckyll Island / Sweet Georgia Bright 13:34
  • 8 Come Sunday 5:52
  • 9 Both Veils Must Go 3:00
  • 10 Song of the Inuit 11:26

Reference: Wikipedia · MusicBrainz · Wikidata