Jumping the Creek
Charles Lloyd · 2005
68 min · 10 tracks · blues
A meditative blend of jazz improvisation and blues inflections, rich with emotive saxophone melodies and intricate rhythmic textures.
Top tracks — play these first
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Ne me quitte pas — This expansive track features haunting saxophone lines that evoke deep emotional landscapes, serving as a centerpiece for the album's reflective tone.
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Georgia Bright Suite: Pythagoras at Jeckyll Island / Sweet Georgia Bright — The suite blends storytelling and complex rhythms, showcasing Lloyd's mastery in intertwining narrative and musicality, making it a highlight of the album.
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Come Sunday — In this track, Lloyd's saxophone delicately articulates themes of faith and hope, creating a moving dialogue between the instrument and piano accompaniment.
Is this for you?
Good fit if you like
- meditative soundscapes for reflection
- extended tracks for deep focus
- serene landscapes for quiet moments
- improvisational journeys of exploration
Maybe skip if you
- prefer fast-paced, upbeat music
- seek immediate gratification in songs
Where this album fits
- Career context
- When Charles Lloyd released 'Jumping the Creek' in 2005, he was experiencing a creative resurgence after years of relative quiet following his initial breakthrough in the 1960s. This album marked his return to recording after a five-year hiatus and showcased his evolution as a musician, blending jazz with deeply personal reflections and world music influences.
- Stylistic neighbors
- Ornette Coleman· Wayne Shorter· Kamasi Washington
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Ne me quitte pas 13:29
- 2 Ken Katta Ma Om 5:45
- 3 Angel Oak Revisited 3:34
- 4 Canon Perdido 3:01
- 5 Jumping the Creek 5:57
- 6 The Sufi's Tears 3:06
- 7 Georgia Bright Suite: Pythagoras at Jeckyll Island / Sweet Georgia Bright 13:34
- 8 Come Sunday 5:52
- 9 Both Veils Must Go 3:00
- 10 Song of the Inuit 11:26
Reference: Wikipedia · MusicBrainz · Wikidata
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