Keio Line
Merzbow · 2008
109 min · 6 tracks · industrial music
A relentless auditory assault where harsh noise collides with urban soundscapes, embodying the chaotic essence of Tokyo.
Top tracks — play these first
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Tokyo Electric Guerilla Start here — This track exemplifies Merzbow's unique fusion of industrial sounds and noise, immersing listeners in a sprawling soundscape that reflects the chaos of urban life.
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Ikebukuro: Tout le monde descend ! — The piece captures an intense atmosphere through layered textures and dynamic shifts, making it a hallmark of Merzbow's ability to evoke emotion through noise.
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Fuck the Power (And Fuck Global Players) — This track stands out for its confrontational title and aggressive sonic elements, serving as a critique of societal structures while challenging listeners to engage with its radical themes.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album's immersive soundscapes and relentless noise create a unique listening experience that challenges conventional music forms.
What we noticed
- The album features extended tracks that often exceed ten minutes, creating a continuous flow of sound that immerses the listener.
- Field recordings and urban sounds are layered with harsh noise, blurring the lines between musical composition and environmental soundscape.
- Each track transitions abruptly into the next, maintaining a relentless pace without traditional song structures or breaks.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- wave-like pacing that ebbs
- intense urban soundscapes exploration
- extended tracks for deep immersion
- chaotic bursts of sonic energy
- gradual escalation of intensity
Maybe skip if you
- prefer structured, melodic forms
- seek instant gratification in music
Where this album fits
- In the catalog
- Experimental — Continues Merzbow's harsh noise exploration, showcasing a departure in length and conceptual depth.
- Themes
- Tokyo soundscapes· socio-political confrontation
- Career context
- When Merzbow released 'Keio Line' in 2008, it marked a continued exploration of his signature harsh noise style following the critical success of 'Pulse Demon' in 1996. By this time, he had established himself as a leading figure in the noise music genre, pushing boundaries and experimenting with new forms and techniques.
- Stylistic neighbors
- Nurse With Wound· Whitehouse· The Haxan Cloak
Tracklist
Disc 1
- 1 Tokyo Electric Guerilla Start here 18:29
- 2 Ikebukuro: Tout le monde descend ! 17:36
- 3 Shibuya AKS 26:28
Disc 2
- 1 Merzdon/Heldow Kills Animal Killers 8:17
- 2 Chaos Line 21:45
- 3 Fuck the Power (And Fuck Global Players) 16:29
If this landed
Records by other artists that run on the same instinct.
Reference: Wikipedia · MusicBrainz · Wikidata
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