Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Koko Taylor's debut showcases strong vocal performances and engaging arrangements, establishing her presence in Chicago blues.
What we noticed
- The album features a consistent use of call-and-response vocals, particularly evident in tracks like 'Wang Dang Doodle' where Taylor's voice interacts dynamically with backing singers.
- Several tracks incorporate prominent horn sections that punctuate the rhythm and add a layer of depth to the arrangements, enhancing the overall energy.
- The tempo varies significantly across the tracklist, with songs like 'I’m a Little Mixed Up' maintaining a brisk pace while others, such as 'Whatever I Am, You Made Me', slow down for emotional impac…
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Love You Like a Woman 2:10
- 2 I Love a Lover Like You 2:47
- 3 Don’t Mess With the Messer 2:46
- 4 I Don’t Care Who Knows 2:14
- 5 Wang Dang Doodle 3:02
- 6 I’m a Little Mixed Up 2:40
- 7 Nitty Gritty 2:46
- 8 Fire 2:32
- 9 Whatever I Am, You Made Me 2:29
- 10 Twenty-Nine Ways 3:15
- 11 Insane Asylum 4:22
- 12 Yes, It’s Good for You 2:42
Reference: MusicBrainz · Wikidata
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