Live and Let Live cover

Live and Let Live

10cc · 1977

90 min · 15 tracks · rock music

A whimsical blend of art pop and progressive rock, layered with intricate harmonies and satirical storytelling.

Top tracks — play these first

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    The Second Sitting for the Last Supper Start here — establishes the sonic palette early
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    I'm Not in Love — This track features lush harmonies and a groundbreaking use of multitracking that illustrates the band's innovative approach to pop music. Its introspective lyrics about unrequited love stand out amidst its dreamy production.
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    Art for Art's Sake — With its catchy chorus and clever commentary on the art world, this track exemplifies the band's knack for blending satire with accessibility. The seamless transitions between musical sections showcase their progressive rock influences.
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    The Things We Do for Love — This song captures the essence of romantic devotion through its relatable lyrics and memorable melody, marking it as one of the band's most enduring hits. It effectively combines soft rock sensibilities with thoughtful songwriting.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

58 /100
Treeline
Higher than 49% of albums we've rated

The album showcases innovative songwriting and production, though its cohesion is somewhat affected by the varied styles.

What we noticed

  • Several tracks employ unconventional song structures, such as 'The Second Sitting for the Last Supper', which shifts between multiple musical themes.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
8/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
7/10

whether it sounds like itself

Sequencing 12% of the score
5/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • wave-like pacing with dynamic shifts
  • witty lyrics for thoughtful engagement
  • cathartic moments through lush harmonies
  • for reflective late nights
  • eclectic textures for deep listening

Maybe skip if you

  • prefer short, straightforward tracks
  • seeking instant gratification only

Where this album fits

In the catalog
Critical Peak — Solidifies 10cc's reputation with innovative songwriting and unique sound.
Themes
art world satire· dreamy love longing· whimsical storytelling
Moods
Cathartic· Chill
Career context
By 1977, 10cc was at a pivotal point in their career with the release of 'Live and Let Live', their fourth studio album. This album followed their commercial peak with the hit single 'I’m Not in Love' from the previous year, showcasing their ability to blend complex arrangements with mainstream appeal.

Tracklist

Disc 1

  • 1 The Second Sitting for the Last Supper Start here 5:22
  • 2 You’ve Got a Cold 3:57
  • 3 Honeymoon With B Troop 3:56
  • 4 Art for Art’s Sake 7:14
  • 5 People in Love 4:11
  • 6 The Wall Street Shuffle 4:12
  • 7 Ships Don't Disappear in the Night (Do They?) 7:33
  • 8 I’m Mandy Fly Me 6:03
  • 9 Marriage Bureau Rendezvous 4:19

Disc 2

  • 1 Good Morning Judge 3:10
  • 2 Feel the Benefit 13:35
  • 3 The Things We Do for Love 3:49
  • 4 Waterfall 7:48
  • 5 I’m Not in Love 6:59
  • 6 Modern Man Blues 8:03

Reference: Wikipedia · MusicBrainz · Wikidata