Love Is Lost
David Bowie · 2013
18 min · 3 tracks · alternative rock
A rhythmic exploration where avant-garde electronic textures intertwine with pop sensibilities, creating a haunting yet danceable soundscape.
Top tracks — play these first
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Love Is Lost (Hello Steve Reich mix by James Murphy for the DFA) — This extended mix transforms the original track into a pulsating electronic journey, showcasing Bowie's adaptability while paying homage to minimalist composer Steve Reich. Its intricate layering invites repeated listens, revealing new dimensions each time.
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I’d Rather Be High (Venetian mix) — This reimagined version amplifies the dreamlike qualities of the original, merging ambient soundscapes with a more pronounced beat that captures the essence of escapism present in Bowie's lyrics. Its introspective mood offers listeners a reflective experience distinct from the other mixes.
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Love Is Lost (Hello Steve Reich mix by James Murphy for the DFA – edit) — The edited version condenses the expansive original into a more accessible format while retaining its experimental vibe, making it ideal for radio play without sacrificing artistic integrity. This balance highlights Bowie's knack for combining avant-garde sounds with mainstream appeal.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The single showcases innovative production and rhythmic complexity, marking Bowie's return with a blend of electronic and pop elements.
What we noticed
- The first track features a driving beat layered with intricate electronic textures that evolve throughout its duration.
- The second track introduces a more subdued tempo, focusing on atmospheric elements while maintaining a rhythmic pulse.
- Both versions of 'Love Is Lost' utilize repetitive motifs that create a hypnotic effect, inviting listeners to engage with the soundscape.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Where this album fits
- In the catalog
- Breakthrough — Announced Bowie's return after a long hiatus, gaining significant attention.
- Themes
- post-modern alienation· digital disconnection
- Career context
- Released in January 2013, 'Love Is Lost' came during a period of resurgence for David Bowie, following a decade-long hiatus since his last album, 'Reality' (2003). This single announced his return to music, leading up to the critically acclaimed album 'The Next Day', which would follow later that same year. The project showcased Bowie's willingness to experiment and collaborate with contemporary producers like James Murphy.
- Stylistic neighbors
- Brian Eno· Roxy Music· Talking Heads
Moments worth listening for
Where the writing does something specific.
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I’d Rather Be High (Venetian mix)
The narrative shifts from external observations to an intimate contemplation about self-escapism and detachment from reality.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Love Is Lost (Hello Steve Reich mix by James Murphy for the DFA) 10:24
- 2 I’d Rather Be High (Venetian mix) 3:49
- 3 Love Is Lost (Hello Steve Reich mix by James Murphy for the DFA – edit) 4:07
If this landed
Records by other artists that run on the same instinct.
Reference: Wikipedia · MusicBrainz · Wikidata
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