Magnificent cover

Magnificent

U2 · 2009

72 min · 10 tracks · alternative rock · pop rock · post-punk

A rhythmic exploration of faith and desire, layered with U2's signature anthemic sound and electronic influences.

Is this for you?

Good fit if you like

  • wave-like pacing for dancing
  • extended mixes for deep immersion
  • anthemic build-ups for celebration
  • rhythmic exploration of desire

Maybe skip if you want

  • prefer short, standalone tracks
  • seek immediate gratification

Where this album fits

Themes
spiritual longing· club culture exploration· electronic rock evolution
Career context
Released in 2009, 'Magnificent' is part of U2's 'No Line on the Horizon' era, following their commercially successful 'How to Dismantle an Atomic Bomb'. At this point, U2 was experimenting with electronic elements while maintaining their rock roots, showcasing a transitional phase in their musical evolution. This single also marked their continued relevance in the evolving music landscape of the late 2000s.
Stylistic neighbors
Coldplay· Radiohead· The Killers
Sounds like this from elsewhere
In Rainbows by Radiohead — Explores themes of longing and introspection with an electronic-infused, layered sound.
Day & Age by The Killers — Combines anthemic rock with danceable beats and reflective lyrics, echoing U2's club culture exploration.
Viva la Vida or Death and All His Friends by Coldplay — Merges grand melodies with electronic textures and spiritual themes, creating a similar emotional resonance.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Magnificent (edit) 4:24
  • 2 Magnificent (Dave Audé club remix) 7:33
  • 3 Magnificent (Dave Audé club dub remix) 7:47
  • 4 Magnificent (Fred Falke full club mix) 7:21
  • 5 Magnificent (Adam K and Soha club mix) 6:16
  • 6 Magnificent (Adam K and Soha dub mix) 6:16
  • 7 Magnificent (Wonderland remix) 9:58
  • 8 Magnificent (Wonderland dub remix) 6:54
  • 9 Magnificent (Redanka's 360 version) 7:24
  • 10 Magnificent (Redanka's 180 version) 8:18

Reference: Wikipedia · MusicBrainz · Wikidata