Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Its theatrical, darkly comic songwriting gives the record a distinct voice; the middle run of drinking songs shapes the sequence, though the closing pair makes only a loose arc.
What we noticed
- The title track opens the album; “God natt” appears second-to-last, with “För sent” closing it rather than a reprise of the opener.
- The drinking-related titles “Gammeldansk,” “Skallen full av brännvin,” and “Fyllot & Miss World” cluster at tracks 4–6, before “Drömmaren” and the longer story-title track.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Man får vara glad att man inte är död 3:57
- 2 Serenad kl 04:15 4:08
- 3 Pengar 5:33
- 4 Gammeldansk 3:56
- 5 Skallen full av brännvin 3:33
- 6 Fyllot & Miss World 5:05
- 7 ... Till den fria kärleken 3:56
- 8 Drömmaren 4:26
- 9 Den tragiska historien om tomten, näcken och den svarta madam 6:28
- 10 God natt 5:07
- 11 För sent 2:51
Reference: MusicBrainz · Wikidata
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