Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Strong, direct power-metal writing and solid execution are evident, but the cross-album sequence and outlying closer give this collection little identity as a unified record.
What we noticed
- The opening run moves from “Carolus Rex” and “Swedish Pagans” into “White Death” and “Ghost Division,” drawing tracks from different Sabaton albums rather than building one album-length narrative.
- The back half shifts from “Attero Dominatus” and “Primo Victoria” to the slower “Cliffs of Gallipoli,” then returns to the more forceful “40:1” before two closing tracks.
- “Harley From Hell” closes a set otherwise centered on Sabaton’s war-themed material, making the final turn feel like an add-on rather than a culmination.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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3/10
- Sequencing 12% of the score
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3/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Carolus Rex 4:54
- 2 Swedish Pagans 4:13
- 3 White Death 4:10
- 4 Ghost Division 3:51
- 5 Attero Dominatus 3:43
- 6 Primo Victoria 4:11
- 7 Cliffs of Gallipoli 5:52
- 8 40:1 4:11
- 9 Hellrider 3:42
- 10 Harley From Hell 3:50
Reference: MusicBrainz · Wikidata
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