Released 30 years ago
Mr. Eddy
Eddy Mitchell · 1996
51 min · 13 tracks · rock and roll
A reflective blend of rock and roll infused with storytelling that captures the essence of French culture.
Top tracks — play these first
-
→
Un portrait de Norman Rockwell — This opening track stands out for its vivid imagery and nostalgia, effectively setting the thematic tone of the album by juxtaposing American art with French sensibilities.
-
→
C’est bon d’être seul — This song encapsulates themes of solitude while blending catchy melodies with introspective lyrics, showcasing Mitchell's ability to combine lightness with depth.
-
→
Les Tuniques bleues et Les Indiens — This track cleverly references historical narratives through an engaging narrative style, emphasizing Mitchell's storytelling prowess within the rock genre.
Moments worth listening for
Where the writing does something specific.
-
C’est bon d’être seul
The verse shifts from reflections on loneliness to an affirming chorus that celebrates independence.
This structural choice contrasts isolation with empowerment, creating a dynamic emotional landscape that invites listeners to embrace solitude.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Un portrait de Norman Rockwell 4:43
- 2 Les Tuniques bleues et Les Indiens 4:37
- 3 C’est bon d’être seul 4:26
- 4 Harcelez‐moi 4:42
- 5 Mister « J.B » 3:25
- 6 Garde du corps 3:41
- 7 Ça fait désordre 4:05
- 8 À travers elle, tu t’aimes 4:08
- 9 Celle qui t’a laissé tomber 4:27
- 10 Ce qui ne va pas chez toi 4:44
- 11 Qu’est‐ce qu’on allume, qu’on n’regarde pas ? 3:26
- 12 Il chante, il gratte 3:01
- 13 Tennessee Mood (instrumental) 2:29
Reference: MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.