Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Concise character sketches and a persistent samba-pop groove make a coherent, personable album, though its narrow pacing and song shapes limit its reach on repeat plays.
What we noticed
- Most tracks ride a steady, syncopated samba-pop pulse, with bass, guitar and percussion keeping the arrangements moving rather than opening into long instrumental passages.
- The songs favor compact narrative verses and recurring refrains; relationship and neighborhood characters recur in titles such as “Vizinha” and “Amiga da minha mulher.”
- “Amiga da minha mulher” lands sixth, after five similarly paced songs, and the final four keep the record in its buoyant, song-led mode rather than building to a major change of texture.
- Composition 25% of the score
-
6/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
6/10
- Sequencing 12% of the score
-
7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 A doida 3:04
- 2 Meu parceiro 3:11
- 3 Véia 3:20
- 4 Dois beijinhos 4:14
- 5 Vizinha 3:35
- 6 Amiga da minha mulher 4:08
- 7 Dia de comemorar 3:05
- 8 Japonesa 3:54
- 9 Olê, olê 3:01
- 10 Quem não quer sou eu 5:26
Reference: MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.