Oscillations 2
Bill Laswell · 1998
48 min · 4 tracks · jazz
A deep exploration of rhythm and texture, merging dub's spaciousness with jazz's improvisational spirit.
Top tracks — play these first
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Virus — This track opens the album with a hypnotic groove that sets the tone for the sonic explorations to follow, seamlessly blending dub rhythms with intricate sound design.
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El Hombre Invisible (For William S. Burroughs) — A tribute to the literary icon, this sprawling piece captures Burroughs' avant-garde spirit through its layered textures and experimental approach, embodying Laswell's artistry.
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Red Night — Closing the album, this track features an immersive atmosphere and complex arrangements, encapsulating Laswell's skillful manipulation of sound to evoke deep emotional responses.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album's innovative fusion of jazz and electronic soundscapes showcases Laswell's unique approach to composition and craft.
What we noticed
- The album features four tracks, each extending over six minutes, allowing for lengthy improvisational sections.
- Rhythmic patterns are layered and manipulated throughout, creating a sense of depth and movement that evolves over time.
- Each track incorporates electronic elements alongside traditional jazz instrumentation, blending genres seamlessly.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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8/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Where this album fits
- In the catalog
- Experimental — Innovative fusion of electronic and jazz, diverging from Laswell's established sound.
- Themes
- hypnotic grooves· avant-garde tribute· immersive soundscapes
- Career context
- By 1998, Bill Laswell was already an influential figure in the realms of dub and experimental music, having established a prolific career since the late 1970s. 'Oscillations 2' followed his 1997 release 'Oscillations', further showcasing his unique ability to blend genres while incorporating elements from various musical traditions.
- Stylistic neighbors
- Tackhead· Herbie Hancock· Thievery Corporation
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Virus 7:35
- 2 Autopia 8:23
- 3 El Hombre Invisible (For William S. Burroughs) 16:08
- 4 Red Night 16:10
If this landed
Records by other artists that run on the same instinct.
The Richest Man in Babylon
Thievery Corporation
Explores intricate rhythms with a blend of dub and jazz influences, creating immersive soundscapes.
Millions Now Living Will Never Die
Tortoise
Shares a similar approach to blending genres with hypnotic grooves and an experimental spirit.
Bricolage
Amon Tobin
Combines extensive sampling and a deep rhythmic foundation, echoing the experimental textures of Laswell's work.
Reference: Wikipedia · MusicBrainz · Wikidata
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