Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The songs and performances are consistently strong, but this compilation’s jumps between repertory make the sequence a survey rather than a unified work.
What we noticed
- The sequence moves from “Me deixas louca” into “Madalena” and “Casa no campo,” then places “Águas de março” before the more dramatic “Atrás da porta.”
- The final four tracks shift from “Cartomante” and “Querelas do Brasil” to “Aprendendo a jogar” and close on “O bêbado e a equilibrista.”
- Sixteen songs are presented without an evident connective arc; the shifts in style and song character read as a career survey rather than one continuous album statement.
- Composition 25% of the score
-
8/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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3/10
- Sequencing 12% of the score
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3/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Me deixas louca (Me vuelves loco) 3:06
- 2 Madalena 2:40
- 3 Casa no campo 2:52
- 4 Dois pra lá, dois pra cá 4:24
- 5 Águas de março 3:31
- 6 Atrás da porta 2:49
- 7 Fascinação (Fascination) 3:01
- 8 O mestre-sala dos mares 3:08
- 9 Romaria 4:03
- 10 Como nossos pais 4:22
- 11 Nada será como antes 2:42
- 12 Vou deitar e rolar (Qua qua ra qua qua) 3:29
- 13 Cartomante 3:13
- 14 Querelas do Brasil 3:48
- 15 Aprendendo a jogar 4:06
- 16 O bêbado e a equilibrista 3:40
Reference: MusicBrainz · Wikidata
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