Prokofiev
The Damned · 1991
2 tracks · new wave
A haunting blend of gothic rock and new wave with a theatrical flair, driven by atmospheric soundscapes and bold vocals.
Top tracks — play these first
-
→
Prokofiev (vox mix) — This vocal mix encapsulates the album's eerie atmosphere and demonstrates the band's ability to merge gothic elements with infectious melodies.
-
→
Prokofiev (instrumental) — The instrumental version highlights the intricate arrangements and production quality, offering a different experience that emphasizes the atmospheric depths of the track.
Where this album fits
- In the catalog
- Deep Cut — A single that showcases The Damned's unique sound but isn't a major entry point.
- Themes
- gothic atmosphere· theatrical soundscapes
- Career context
- Released in 1991, 'Prokofiev' marked The Damned's return after a brief hiatus following their 1988 album 'Strawberries'. At this point in their career, they were navigating a transition from their punk roots into more experimental sounds, reflecting the band's evolution over the years.
- Stylistic neighbors
- Siouxsie and the Banshees· The Cure· Bauhaus
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Prokofiev (vox mix)
- 2 Prokofiev (instrumental)
If this landed
Records by other artists that run on the same instinct.
Juju
Siouxsie and the Banshees
Shares a dark, atmospheric sound with theatrical elements and strong vocal presence.
In the Flat Field
Bauhaus
Explores similar gothic themes with haunting melodies and an experimental post-punk edge.
Floodland
The Sisters of Mercy
Combines gothic rock with expansive soundscapes and dramatic vocals, echoing The Damned's style.
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.