Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Lean, tense post-punk writing gains character from its varied settings, though the songs stay close to a shared, repetitive framework and the original closing sequence is uncertai…
What we noticed
- The guitar and rhythm section keep the songs lean and tense; the arrangements rely more on repeated figures and abrupt accents than on extended instrumental passages.
- Titles such as “Héroes de la URSS,” “Maquis,” and “Un día en Texas” give the short songs sharply different settings rather than building one continuous narrative.
- The catalogued sequence closes with “Gresca gitana” and “El arte de amar”; I cannot establish whether the latter belongs to the original LP running order.
- Composition 25% of the score
-
6/10
- Craft 20% of the score
-
6/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Tierra de nadie 2:57
- 2 Mentir 3:31
- 3 Que Dios reparta suerte 4:38
- 4 Héroes de la URSS 3:36
- 5 Pérdidas blancas 2:23
- 6 Un día en Texas 2:31
- 7 Sangre española 3:37
- 8 Grado 33 3:43
- 9 Maquis 2:58
- 10 Gresca gitana 3:36
- 11 El arte de amar 5:04
Reference: MusicBrainz · Wikidata
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