Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Strong, varied songwriting and a cleanly paced sequence give the record staying power, though its folk-pop language remains close to its genre’s familiar forms.
What we noticed
- The first five tracks move from the opener through the brisker «Berlín» and «Somos» to «Vuelves» without a long instrumental break or extended solo.
- «Photocall» turns toward satire, while «La belleza» late in the sequence is a cover of Luis Eduardo Aute rather than an original song.
- The 12-track sequence places «Ni tú ni yo» after the cover, returning to Rozalén’s own material for the close.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Ahora 3:07
- 2 Será mejor 3:13
- 3 Berlín 3:44
- 4 Somos 3:35
- 5 Vuelves 3:22
- 6 Photocall 3:07
- 7 Mis palabras 2:38
- 8 Tonta 2:39
- 9 Mi fe 3:22
- 10 Los artistas 3:18
- 11 La belleza 3:40
- 12 Ni tú ni yo 4:53
Reference: MusicBrainz · Wikidata
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