Reach for the Sky
Sutherland Brothers & Quiver · 1975
37 min · 10 tracks
A fusion of folk-rock melodies and soft rock harmonies that evoke a laid-back, pastoral vibe.
Top tracks — play these first
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Arms of Mary — This track stands out as the band's most commercially successful song, celebrated for its sweet melody and heartfelt lyrics that resonate with themes of love and longing.
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When the Train Comes — Opening with an infectious rhythm, this track encapsulates the album's laid-back feel while exploring themes of anticipation and change.
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Reach for the Sky — The title track showcases the band's signature harmonies and uplifting message, making it a quintessential anthem for aspiration and hope.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album features strong melodies and harmonies but remains conventional within its genre.
What we noticed
- Several tracks incorporate layered instrumentation, including strings and soft percussion, enhancing the pastoral vibe throughout.
- The album closes with 'Mad Trial', which shifts to a more upbeat tempo, providing a contrast to the preceding softer tracks.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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5/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 When the Train Comes 3:59
- 2 Dirty City 3:34
- 3 Arms of Mary 2:39
- 4 Something Special 4:11
- 5 Love on the Moon 4:18
- 6 Ain’t Too Proud 3:20
- 7 Dr. Dancer 4:50
- 8 Reach for the Sky 3:21
- 9 Moonlight Lady 3:09
- 10 Mad Trial 3:57
Reference: Wikipedia · MusicBrainz · Wikidata
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