Is Rejoice a good place to start with Katherine Jenkins?

Yes, Rejoice is recommended as a starting point for new Katherine Jenkins listeners. A sweeping blend of operatic vocals and lush orchestration that bridges classical music with contemporary pop sensibilities. By the time 'Rejoice' was released in January 2007, Katherine Jenkins had established herself as a prominent figure in the classical crossover genre, following her 2005 breakthrough album 'Second Nature.' This third studio album further solidified her reputation, showcasing her powerful voice and broadening her appeal to mainstream audiences.

Rejoice works well if you're into steady melodic journey throughout, emotive arrangements for reflection and uplifting moments of connection.

How many songs are on Rejoice?

Rejoice has 15 tracks, running approximately 55 minutes.

Rejoice

Katherine Jenkins · 2007

55 min · 15 tracks · classical music

A sweeping blend of operatic vocals and lush orchestration that bridges classical music with contemporary pop sensibilities.

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Top tracks — play these first

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Rejoice Start here — establishes the sonic palette early
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I (Who Have Nothing) — This track highlights Jenkins' vocal prowess through its emotional delivery and dynamic range, transforming a classic into a haunting ballad.
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Requiem for a Soldier — The poignant tribute encapsulates themes of loss and remembrance, showcasing Jenkins' ability to convey deep emotion through her operatic style.
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Kiss From a Rose — This cover blends classical elements with pop sensibilities, allowing Jenkins to reinterpret a beloved song while displaying her versatility as an artist.
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Sancta Maria — The ethereal quality of this piece allows Jenkins' voice to shine, offering a serene moment that reflects both spiritual depth and technical skill.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

56 /100

Foothills

Higher than 47% of albums we've rated

Jenkins blends operatic vocals with orchestral arrangements, creating a solid yet familiar classical crossover sound.

What we noticed

The album opens with a title track that features a full orchestral arrangement, setting a grand tone for the record.
Each track showcases Jenkins' operatic vocal style, often accompanied by lush strings and choral backing.
Several tracks incorporate contemporary pop elements, such as rhythmic percussion and modern harmonies, blending genres effectively.
The final track is a live performance, which contrasts with the studio recordings and adds an element of spontaneity.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 6/10
Sequencing 12% of the score: 5/10

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

steady melodic journey throughout
emotive arrangements for reflection
uplifting moments of connection
ideal for quiet evenings
powerful vocals that resonate

Maybe skip if you

seeks fast-paced excitement
prefers standalone tracks only

Where this album fits

In the catalog: Fan Favorite — Beloved by fans for its ambitious arrangements and vocal performance.
Career context: By the time 'Rejoice' was released in January 2007, Katherine Jenkins had established herself as a prominent figure in the classical crossover genre, following her 2005 breakthrough album 'Second Nature.' This third studio album further solidified her reputation, showcasing her powerful voice and broadening her appeal to mainstream audiences.
Stylistic neighbors: Andrea Bocelli· Il Divo· Sarah Brightman