Schrei!
Subway to Sally · 2000
68 min · 18 tracks · medieval metal
A raucous blend of medieval instrumentation and heavy metal energy, creating a unique atmosphere that is both theatrical and intense.
Top tracks — play these first
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Böses Erwachen Start here — accessible entry with immediate hook
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Mephisto — This track stands out for its haunting melodies and dynamic shifts between aggressive instrumentals and melodic passages, encapsulating the thematic essence of the album. It reflects the duality of light and dark, central to Subway to Sally's artistic identity.
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Die Hexe — Featuring evocative lyrics about witch trials and societal fears, this song uses dramatic storytelling combined with powerful instrumentals, highlighting the band's theatrical approach to songwriting. It serves as a commentary on historical injustices while showcasing their musical prowess.
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Unterm Galgen — This track effectively blends traditional folk elements with modern metal, creating an anthemic quality that resonates with listeners. Its lyrics delve into themes of mortality and justice, making it a poignant reflection of the album's darker motifs.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album effectively blends medieval elements with metal, showcasing strong craftsmanship and distinctiveness within its genre.
What we noticed
- The album opens with a brief instrumental intro that sets a dark, theatrical tone before launching into high-energy tracks.
- Several songs feature alternating male and female vocals, creating a dynamic interplay that enhances the storytelling aspect.
- The use of traditional medieval instruments like bagpipes and flutes is prominent in many tracks, blending seamlessly with heavy guitar riffs.
- The final track is a slower ballad that contrasts sharply with the preceding intensity, providing a reflective conclusion.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- dynamic emotional journeys
- long, immersive listening sessions
- wave-like pacing experiences
- haunting yet energetic atmospheres
Where this album fits
- In the catalog
- Breakthrough — Solidified their place in medieval metal, gaining significant attention in Germany.
- Themes
- witch trial horrors· medieval justice· duality of light and dark
- Career context
- Schrei! marked Subway to Sally's fifth studio album, solidifying their place in the medieval metal genre after their earlier successes. Following their breakthrough with 1999's Herzblut, this release showcased their growing musical maturity and thematic depth, as they continued to explore darker narrative elements.
- Stylistic neighbors
- In Extremo· Schandmaul· Korpiklaani
Tracklist
- 1 Intro 1:11
- 2 Böses Erwachen Start here 3:48
- 3 Mephisto 4:31
- 4 Das Opfer 3:28
- 5 Unterm Galgen 3:48
- 6 Grabrede 4:39
- 7 Traum vom Tod II 3:12
- 8 Der Sturm 3:50
- 9 Horo 1:54
- 10 Minne 3:10
- 11 Die Hexe 4:46
- 12 Liebeszauber 5:39
- 13 Die Braut & Der Bräutigam 4:31
- 14 Ohne Liebe 4:19
- 15 Henkersbraut 5:12
- 16 Julia und die Räuber 3:35
- 17 Carrickfergus 1:38
- 18 Maria 4:58
If this landed
Records by other artists that run on the same instinct.
Reference: Wikipedia · MusicBrainz · Wikidata
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