Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalIts recurring theme changes character across a tightly staged five-movement arc, culminating in a finale that turns earlier material grotesque; the particular recording's executio…
What we noticed
- The opening moves from a slow introduction into agitated sonata-form writing, with the recurring idée fixe returning as the beloved's theme.
- The waltz recasts that theme over a lilting dance, while the third movement's pastoral dialogue between English horn and oboe leads into an extended pause before the march.
- The finale brings in tolling bells and the Dies irae melody, then drives them into a fast, layered witches' sabbath.
- Composition 25% of the score
-
10/10
- Craft 20% of the score
-
6/10
- Durability 25% of the score
-
9/10
- Distinctiveness 18% of the score
-
10/10
- Sequencing 12% of the score
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9/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Reshaped what followed. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Sinfonia fantastica op. 14: Rêveries, passions (Largo ‐ Allegro agitato ed appassionato assai)
- 2 Sinfonia fantastica op. 14: Un bal (Valse: Allegro non troppo)
- 3 Sinfonia fantastica op. 14: Scène aux champs (Adagio)
- 4 Sinfonia fantastica op. 14: Scène aux champs (Adagio) conclusione
- 5 Sinfonia fantastica op. 14: Marche au supplice (Allegretto non troppo)
- 6 Sinfonia fantastica op. 14: Songe d’une nuit du sabbat (Larghetto ‐ Allegro – Allegro assai – Allegro lontano – Ronde du sabbat)
What to play next
Symphonie fantastique
1982
Berlioz: Le Carnaval romain / Ouverture de « Béatrice et Bénédict » / Marche hongroise / Dukas: L’Apprenti sorcier / Saint‐Saëns: Danse macabre / Bacchanale de « Samson et Dalila » / Le Déluge
1981
Reference: MusicBrainz
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