Squint
Steve Taylor · 1993
43 min · 10 tracks · Christian alternative rock
A blend of satirical lyrics and eclectic rock sounds, infused with a sharp sense of humor and social commentary.
Top tracks — play these first
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Jesus Is for Losers — This track stands out for its biting critique of societal perceptions of Christianity, blending humor with poignant commentary on faith's authenticity.
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Lament of Desmond R. G. Underwood–Frederick IV — The opening track sets the tone for the album with its theatrical storytelling and satirical examination of self-importance in contemporary culture.
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Curses — In 'Curses', Taylor tackles the topic of language and morality, using witty wordplay to highlight hypocrisy within both secular and religious contexts.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album blends clever lyrics with eclectic rock sounds, showcasing Taylor's unique style and social commentary.
What we noticed
- The first track features a spoken-word intro that sets a satirical tone, followed by a shift into a driving rock rhythm.
- Several tracks incorporate unexpected tempo changes, such as 'Cash Cow', which transitions between different musical styles within its three acts.
- Lyrically, the album employs humor and irony, with songs like 'Jesus Is for Losers' using sharp commentary to engage listeners.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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6/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- sharp satirical humor throughout
- pacing shifts keep engagement
- thought-provoking social commentary
- playful irreverence in delivery
- varied track lengths surprise
Maybe skip if you
- prefer straightforward lyrical themes
- avoid complex narrative structures
Where this album fits
- Career context
- Released in 1993, Squint marked Steve Taylor's return after a seven-year hiatus following his last studio album, I Want to Be a Clone. This album showcased Taylor's unique blend of Christian themes and alternative rock, positioning him as a distinct voice in the genre during a time when mainstream acceptance of such music was growing.
- Stylistic neighbors
- Daniel Amos· The Choir· Lost Dogs
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Lament of Desmond R. G. Underwood–Frederick IV 4:02
- 2 Bannerman 3:14
- 3 Smug 4:23
- 4 Jesus Is for Losers 4:18
- 5 The Finish Line 5:28
- 6 The Moshing Floor 4:01
- 7 Easy Listening 3:42
- 8 Curses 3:55
- 9 Sock Heaven 4:49
- 10 Cash Cow (A Rock Opera in Three Small Acts) 5:37
Reference: Wikipedia · MusicBrainz · Wikidata
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