Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The tightly shaped cycle turns its spare forces and contrasting poems into a distinctive symphonic argument, though the catalog entry leaves the specific performance uncertain.
What we noticed
- The eleven movements set poems about death as separate vocal scenes, rather than developing a single theme across a conventional symphonic span.
- A soprano and bass trade the lead, while strings and percussion keep the orchestral palette unusually spare.
- The sequence moves from the grave opening of “De profundis” through sharply contrasting settings, then closes with “Conclusion” rather than a return to a conventional symphonic finale.
- Composition 25% of the score
-
9/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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9/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Symphony no. 14, op. 135: I. De profundis 4:47
- 2 Symphony no. 14, op. 135: II. Malagueña 2:57
- 3 Symphony no. 14, op. 135: III. Loreley 9:01
- 4 Symphony no. 14, op. 135: IV. The Suicide 7:14
- 5 Symphony no. 14, op. 135: V. On Watch 3:02
- 6 Symphony no. 14, op. 135: VI. Madam, Look! 1:59
- 7 Symphony no. 14, op. 135: VII. In the Santé Jail 9:36
- 8 Symphony no. 14, op. 135: VIII. Reply of the Zaporozhye Cossacks to the Sultan of Constantinople 2:15
- 9 Symphony no. 14, op. 135: IX. O Delvig, Delvig! 4:30
- 10 Symphony no. 14, op. 135: X. Death of the Poet 5:31
- 11 Symphony no. 14, op. 135: XI. Conclusion 1:17
What to play next
Symphony no. 10 in E minor, op. 93 / Ballet Suite no. 4
1988
Symphony no. 14 in G minor, op. 135 / King Lear - musical fragments, op. 58a
1988
Reference: MusicBrainz
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