Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe symphony’s dramatic scale, funeral-march center, and accumulating finale give it unusual compositional depth; this listing does not identify the performers or recording.
What we noticed
- The first movement begins with two blunt E-flat major chords, then repeatedly pushes its sonata-form themes into unexpected harmonic turns.
- The second movement is a sustained funeral march; the third replaces it with a quick scherzo whose trio gives the horns a prominent call.
- The finale takes a spare bass theme through a sequence of variations, gathering momentum before a decisive close.
- Composition 25% of the score
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10/10
- Craft 20% of the score
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6/10
- Durability 25% of the score
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10/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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9/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Reshaped what followed. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Symphony no. 3 in E-flat major, op. 55 "Sinfonia eroica": I. Allegro con brio 19:10
- 2 Symphony no. 3 in E-flat major, op. 55 "Sinfonia eroica": II. Marcia funebre: Adagio assai 18:04
- 3 Symphony no. 3 in E-flat major, op. 55 "Sinfonia eroica": III. Scherzo: Allegro vivace 5:48
- 4 Symphony no. 3 in E-flat major, op. 55 "Sinfonia eroica": IV. Finale: Allegro molto 12:52
What to play next
Symphony no. 5 / Symphony no. 7
2000
The Rubinstein Collection, Volume 77: Piano Concertos Nos. 1 & 2
2000
Reference: MusicBrainz
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