Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe symphony’s five-part pacing and slow close give the album a deliberate arc; its severe, fragmented writing rewards attention more than casual replay.
What we noticed
- The three-movement Concerto Grosso No. 6 opens the program; the five-movement Symphony No. 8 follows as a separate, longer span.
- The symphony alternates moderate and faster movements with two Lento movements, closing on the slower one rather than building to a fast finale.
- Both works are instrumental, and the program ends without returning to the concerto’s more compact three-part form.
- Composition 25% of the score
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8/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Concerto Grosso No. 6: I Andante - Allegro 3:48
- 2 Concerto Grosso No. 6: II Adagio 5:01
- 3 Concerto Grosso No. 6: III Allegro vivace 5:46
- 4 Symphony No. 8: I Moderato 9:22
- 5 Symphony No. 8: II Allegro Moderato 4:22
- 6 Symphony No. 8: III Lento 17:39
- 7 Symphony No. 8: IV Allegro moderato - Allegro vivace 5:11
- 8 Symphony No. 8: V Lento 1:51
What to play next
Historia von D. Johann Fausten
1996
Music for Cello and Piano: Improvisation for cello solo / Madrigal in Memoriam Oleg Kagan for cello / Five Aphorisms for piano / Klingende Buchstaben for cello (Sounding Letters) / Sonata no. 1 for cello and piano
1995
Reference: MusicBrainz
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