Tarik
Dewey Redman · 1969
47 min · 5 tracks · jazz
Explorative free jazz flows through intricate improvisations and rhythmic complexities, creating a vibrant sonic tapestry.
Top tracks — play these first
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Tarik — The title track opens the album with a bold exposition of Redman's improvisational style, setting the tone for the exploratory nature of the record.
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Paris? Oui! — This lengthy piece showcases extensive collective improvisation, highlighting the synergy between musicians and capturing the essence of free jazz's spontaneity.
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Lop-O-Lop — With its complex rhythms and dynamic shifts, this track exemplifies the tension and release characteristic of Redman’s innovative compositional techniques.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album showcases intricate improvisation and unique structures, marking a strong debut for Redman.
What we noticed
- Each track features extended improvisation, with the saxophone often leading while other instruments weave in and out.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Tarik 4:46
- 2 Fo Io 5:08
- 3 Paris? Oui! 13:39
- 4 Lop-O-Lop 13:07
- 5 Related and Unrelated Vibrations 10:33
Reference: Wikipedia · MusicBrainz · Wikidata
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