Released 30 years ago
Tempranillo
Evan Parker · 1996
45 min · 8 tracks · jazz
A labyrinthine exploration of sound, where improvisation dances with structured chaos in an avant-garde jazz landscape.
Top tracks — play these first
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Part I (Mercerioso) — This opening track sets the tone for the album with its intricate interplay between Parker's saxophone and the accompanying musicians, establishing a unique sonic atmosphere.
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Part IV (31 Davids) — This piece exemplifies the album's complex structure, featuring a dynamic exchange of motifs that highlight Parker's improvisational prowess and thematic depth.
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Part VIII (Nana for Núria) — As the closing track, it encapsulates the emotional core of the album through delicate phrasing and nuanced interactions, leaving a lasting impression.
Is this for you?
Good fit if you like
- steady unfolding of soundscapes
- immersive sonic explorations await
- headphone detail for attentive listeners
- rich textures for deep focus
Maybe skip if you
- seeking instant gratification should skip
- prefer structured song formats
Where this album fits
- Career context
- Released in 1996, Tempranillo is Evan Parker's follow-up to his acclaimed work in the early '90s, marking a continued evolution in his sound. By this time, Parker had established himself as a leading figure in free improvisation, showcasing his mastery of extended techniques and collaborative performance.
- Stylistic neighbors
- Peter Brötzmann· John Zorn· Anthony Braxton
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Part I (Mercerioso) 6:01
- 2 Part II 8:00
- 3 Part III 5:07
- 4 Part IV (31 Davids) 5:38
- 5 Part V 5:22
- 6 Part VI 6:41
- 7 Part VII 5:50
- 8 Part VIII (Nana for Núria) 3:17
Reference: Wikipedia · MusicBrainz · Wikidata
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