The Bad Guys cover

The Bad Guys

Roscoe Mitchell · 2003

62 min · 6 tracks · jazz

A vibrant exploration of improvisation, blending intricate rhythms with eclectic influences that challenge traditional jazz boundaries.

Top tracks — play these first

  • →
    Down in the Basement — This expansive piece allows for deep exploration of sound textures, showcasing Mitchell's mastery of improvisation and interaction with his ensemble.
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    Do That Dance Called the Tangler — With its infectious rhythm and playful structure, this track exemplifies the blend of spontaneity and composition that defines the album.
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    The Bad Guys — The title track encapsulates the album's thematic core, merging complex melodies with an adventurous spirit that invites listener engagement.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental
61 /100
Treeline
Higher than 71% of albums we've rated

The album's innovative improvisation and eclectic influences mark it as a distinctive entry in avant-garde jazz.

What we noticed

  • The album features extended improvisational sections where musicians frequently shift roles, creating a dynamic interplay.
  • Each track varies in tempo and structure, with some pieces featuring abrupt transitions that challenge conventional jazz forms.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
8/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
5/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • long-form improvisational explorations
  • dynamic rhythmic shifts throughout
  • playful experimentation with structure
  • intricate patterns for attentive listening

Maybe skip if you

  • prefer straightforward song formats
  • seek quick, catchy tunes

Where this album fits

Career context
By 2003, Roscoe Mitchell had established himself as a pioneering figure in avant-garde jazz, with 'The Bad Guys' being his first studio release after a five-year hiatus. This album arrives following his influential work in the Art Ensemble of Chicago, marking a return to solo endeavors and showcasing his evolution as a composer and improviser.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Choro por Merilina 7:36
  • 2 Down in the Basement 13:35
  • 3 Oh, See How They Run to L.A. 9:17
  • 4 Do That Dance Called the Tangler 15:36
  • 5 The Bad Guys 11:10
  • 6 That Would Be Fine 4:55

Reference: Wikipedia · MusicBrainz · Wikidata