Released 40 years ago
The Eighth
Cecil Taylor · 1986
69 min · 2 tracks · jazz
A sprawling exploration of improvisation where chaotic rhythms and dissonant harmonies intertwine in a vibrant avant-garde tapestry.
Top tracks — play these first
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Calling It the 8th — This extended piece serves as the centerpiece of the album, showcasing Taylor's dynamic piano techniques and intricate rhythmic structures, embodying his improvisational mastery.
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Calling It the 9th — This shorter track contrasts with the lengthy opener, offering concentrated bursts of energy and spontaneity that highlight Taylor's ability to maintain tension and engagement within a brief format.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album showcases ambitious improvisation and unique soundscapes, reflecting Taylor's avant-garde style.
What we noticed
- The album consists of two lengthy tracks, each over 20 minutes, allowing for extensive improvisation and exploration of themes.
- Each track features a wide range of dynamics, with sudden shifts from quiet, introspective passages to intense, chaotic bursts of sound.
- The use of dissonance is prevalent throughout, creating a complex tapestry that challenges conventional harmonic structures.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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8/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Calling It the 8th 58:10
- 2 Calling It the 9th 10:50
Reference: Wikipedia · MusicBrainz · Wikidata
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