The Kold Kage
Gary Thomas · 1991
60 min · 10 tracks · jazz
A fusion of intricate jazz harmonies and rhythmic rapping intertwines to create a cerebral listening experience.
Top tracks — play these first
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Threshold — The opening track sets a complex tone with its layered instrumental textures and dynamic shifts, encapsulating the album's ambitious spirit.
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Infernal Machine — This track features aggressive rhythms and intricate solos, showcasing Thomas's skillful improvisation that bridges jazz traditions and modern influences.
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The Kold Kage — The title track encapsulates the album's essence with haunting melodies and thought-provoking lyrics that reflect on societal themes.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album's innovative blend of jazz and rap creates a unique sound that stands out in its genre.
What we noticed
- Each track transitions smoothly into the next, creating a continuous flow that maintains listener engagement throughout.
- The use of layered instrumentation allows for intricate harmonies, with saxophones and keyboards often weaving in and out of the mix.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Threshold 6:59
- 2 Gate of Faces 6:57
- 3 Intellect 7:09
- 4 Infernal Machine 6:57
- 5 The Divide 7:25
- 6 Peace of the Korridor 6:51
- 7 First Strike 7:18
- 8 Beyond the Fall of Night 1:53
- 9 The Kold Kage 7:11
- 10 Kulture Bandits (To Be Continued) 1:30
Reference: Wikipedia · MusicBrainz · Wikidata
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