Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
A memorable choral motif anchors tightly shaped suspense cues, while the shifts in orchestral scale keep the score from relying on menace alone.
What we noticed
- “Ave Satani” opens with a repeated choral chant and pounding percussion; its ritualistic figure establishes material that returns in the later cues.
- The cue sequence alternates that forceful choral writing with quieter orchestral suspense, so the threat builds through contrast rather than staying at full volume.
- The twelve-track presentation is made of short, scene-specific cues, with “The Homecoming” and “The Altar” carrying the sequence toward a final dramatic climax.
- Composition 25% of the score
-
9/10
- Craft 20% of the score
-
9/10
- Durability 25% of the score
-
8/10
- Distinctiveness 18% of the score
-
9/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Defined its genre or moment. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Ave Satani 2:39
- 2 The New Ambassador 2:36
- 3 Killer’s Storm 2:56
- 4 A Sad Message 1:46
- 5 The Demise of Mrs. Baylock 2:59
- 6 Don’t Let Him 2:48
- 7 The Piper Dreams 2:43
- 8 The Fall 3:45
- 9 Safari Park 2:09
- 10 The Dog’s Attack 5:55
- 11 The Homecoming 2:48
- 12 The Altar 2:02
What to play next
Reference: MusicBrainz · Wikidata
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