What makes The One Giveth, the Count Taketh Away by Bootsy Collins notable?

'The One Giveth, the Count Taketh Away' is notable for its energetic blend of funk and humor, solidifying Bootsy’s place in the music scene during the early '80s. The album includes tracks like 'Shine-O-Myte,' which became a staple in funk playlists, and reflects the cultural influence of funk music during this era, characterized by its danceable rhythms and social commentary. By the time 'The One Giveth, the Count Taketh Away' was released in 1982, Bootsy Collins had established himself as a central figure in the funk genre, particularly through his work with Parliament-Funkadelic. This album marked his fourth solo effort, following 'Ultra Wave' in 1980, showcasing his continued evolution as an artist and bandleader while maintaining the signature P-Funk sound that defined his earlier works.

Who is The One Giveth, the Count Taketh Away for?

The One Giveth, the Count Taketh Away works well if you're into infectious grooves for dancing, playful storytelling with humor and steady pace for social gatherings.

How many songs are on The One Giveth, the Count Taketh Away?

The One Giveth, the Count Taketh Away has 11 tracks, running approximately 41 minutes.

The One Giveth, the Count Taketh Away

Bootsy Collins · 1982

41 min · 11 tracks · blues · funk · soul

A vibrant fusion of funk and playful storytelling, layered with infectious grooves and Bootsy's signature humor.

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Is this for you?

Good fit if you like

infectious grooves for dancing
playful storytelling with humor
steady pace for social gatherings
short tracks for quick enjoyment
uplifting vibes for celebrations

Maybe skip if you want

prefer serious, somber themes
seek long, introspective pieces

Where this album fits

Career context: By the time 'The One Giveth, the Count Taketh Away' was released in 1982, Bootsy Collins had established himself as a central figure in the funk genre, particularly through his work with Parliament-Funkadelic. This album marked his fourth solo effort, following 'Ultra Wave' in 1980, showcasing his continued evolution as an artist and bandleader while maintaining the signature P-Funk sound that defined his earlier works.
Stylistic neighbors: George Clinton· Parliament· Funkadelic