What makes The One Giveth, the Count Taketh Away by Bootsy Collins notable?

This album is significant for its embodiment of the funk genre at a time when disco was fading, helping to shape the trajectory of funk music in the early '80s. It features the hit single Shine-O-Myte, which reached #24 on the R&B charts, showcasing Collins' ability to maintain commercial appeal while pushing artistic boundaries. The One Giveth, the Count Taketh Away was Bootsy Collins' fourth studio album, released during a period when he was solidifying his solo identity after rising to fame as part of George Clinton's P-Funk collective. Following the commercial success of his previous album, This Boot Is Made for Fonk-N, this release continued to showcase his distinctive blend of funk and humor, further developing his signature sound.

Who is The One Giveth, the Count Taketh Away for?

The One Giveth, the Count Taketh Away works well if you're into infectious grooves for dancing, playful storytelling with humor and steady pace for social gatherings.

How many songs are on The One Giveth, the Count Taketh Away?

The One Giveth, the Count Taketh Away has 11 tracks, running approximately 41 minutes.

The One Giveth, the Count Taketh Away

Bootsy Collins · 1982

41 min · 11 tracks · blues

A vibrant explosion of funk grooves and playful humor wrapped in a colorful sonic tapestry.

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Top tracks — play these first

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Shine-O-Myte (Rag Popping) — This track serves as an infectious opener with its catchy hooks and clever lyrics, encapsulating Collins' playful spirit and unique funk sound.
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#1 Funkateer — In this track, Collins proclaims his status within the funk community, blending humor with musical virtuosity that defines his artistic persona.
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Excon (Of Love) — This song stands out for its poignant exploration of love through a funky lens, showcasing Collins’ ability to mix deep themes with danceable rhythms.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

60 /100

Treeline

Higher than 66% of albums we've rated

The album showcases strong funk compositions with humor and varied tempos, making it distinctive within its genre.

What we noticed

The album opens with a high-energy track that features layered horns and a prominent bassline, setting a lively tone.
Several tracks incorporate playful spoken word segments, blending humor with musical elements.
The last three tracks slow down the tempo, providing a contrast to the upbeat opening songs and allowing for a more reflective mood.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 7/10
Sequencing 12% of the score: 6/10

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

infectious grooves for dancing
playful storytelling with humor
steady pace for social gatherings
short tracks for quick enjoyment
uplifting vibes for celebrations

Maybe skip if you

prefer serious, somber themes
seek long, introspective pieces

Where this album fits

Career context: The One Giveth, the Count Taketh Away was Bootsy Collins' fourth studio album, released during a period when he was solidifying his solo identity after rising to fame as part of George Clinton's P-Funk collective. Following the commercial success of his previous album, This Boot Is Made for Fonk-N, this release continued to showcase his distinctive blend of funk and humor, further developing his signature sound.
Stylistic neighbors: George Clinton· Parliament· Funkadelic