Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe recurring figures and four-part piano-concerto arc give the program a clear shape, while its restrained variations keep the writing rewarding without making it singular.
What we noticed
- The opening oboe concerto gives way to a four-movement piano concerto; its movements are titled as successive places, from the beach to the release.
- Both works build extended passages from repeating rhythmic figures, with the solo lines set against a persistent orchestral pulse.
- The piano concerto occupies the album's second half, so the shorter oboe work acts as a compact prelude rather than a mid-sequence interruption.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Where the Bee Dances 16:46
- 2 The Piano Concerto: I. The Beach 11:24
- 3 The Piano Concerto: II. The Woods 6:20
- 4 The Piano Concerto: III. The Hut 8:01
- 5 The Piano Concerto: IV. The Release 4:36
Reference: MusicBrainz
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