Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalHolst’s sharply differentiated orchestral portraits and Neptune’s vanishing close make a coherent, richly repeatable suite; Bernstein’s weighty pacing marks this performance witho…
What we noticed
- Mars drives its repeated five-beat figure with heavy, deliberate accents; Venus then sharply reduces the orchestral weight and pace.
- The seven movements follow Holst’s sequence of planetary portraits, shifting from Jupiter’s broad, buoyant tune to Saturn’s slower, accumulating weight.
- Neptune closes with a wordless women’s chorus that recedes as the orchestra thins, ending by fading away rather than landing on a firm final chord.
- Composition 25% of the score
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9/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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8/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 The Planets: I. Mars, the Bringer of War 6:36
- 2 The Planets: II. Venus, the Bringer of Peace 9:35
- 3 The Planets: III. Mercury, the Winged Messenger 3:57
- 4 The Planets: IV. Jupiter, the Bringer of Jollity 8:17
- 5 The Planets: V. Saturn, the Bringer of Old Age 8:53
- 6 The Planets: VI. Uranus, the Magician 5:24
- 7 The Planets: VII. Neptune, the Mystic 8:20
What to play next
Leonard Bernstein: Symphonic Dances from West Side Story / William Russo: Three Pieces for Blues Band and Orchestra
1973
Carmen (Suites 1 and 2) / Peer Gynt (Suites 1 and 2)
1973
Reference: MusicBrainz
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