What makes The Remixes by White Lies notable?

The Remixes received positive acclaim for its innovative takes on existing tracks, reflecting the band's adaptability within the evolving musical landscape. The inclusion of remixes by notable artists like M83 and Chase & Status helped to broaden their audience, connecting them with fans of electronic music. Released in early 2010, The Remixes followed White Lies' critically acclaimed debut album, To Lose My Life..., which had established them in the post-punk revival scene. This EP marked their exploration of electronic influences, showcasing a willingness to reinterpret their sound through collaborations with various remix artists.

Who is The Remixes for?

The Remixes works well if you're into dancefloor-ready remix energy, gradual build towards closure and vibrant reinterpretations of classics.

How many songs are on The Remixes?

The Remixes has 5 tracks, running approximately 26 minutes.

The Remixes

White Lies · 2010

26 min · 5 tracks · post-punk revival

A dynamic collection where atmospheric post-punk melodies transform into vibrant dancefloor anthems through inventive remixes.

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Top tracks — play these first

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Nothing to Give (M83 remix) — This remix infuses the original's melancholic energy with lush synth layers, creating an expansive soundscape that highlights M83's signature style while enhancing White Lies' emotive core.
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Farewell to the Fairground (Rory Phillips White Horse mix) — Rory Phillips reimagines this track as a pulsating club anthem, transforming its nostalgic undertones into an infectious dance rhythm that showcases the versatility of White Lies' music.
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Death (Chase & Status remix) — Chase & Status injects a drum and bass energy into this remix, amplifying the original’s urgency and creating a powerful blend that appeals to both rock and electronic audiences.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

45 /100

Lowland

Higher than 5% of albums we've rated

The remixes showcase varied interpretations of the band's sound but lack a cohesive narrative across the EP.

What we noticed

Each track is a remix of an original song, reinterpreting the source material with varying degrees of electronic influence.
The EP opens with a high-energy remix that sets a danceable tone, while subsequent tracks explore different tempos and styles.
Several remixes incorporate atmospheric elements typical of post-punk, but they also introduce club-oriented beats and synth layers.

Composition 25% of the score: 6/10
Craft 20% of the score: 7/10
Durability 25% of the score: 5/10
Distinctiveness 18% of the score: 6/10
Sequencing 12% of the score: 4/10

Influence 2/10

Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

dancefloor-ready remix energy
gradual build towards closure
vibrant reinterpretations of classics
short bursts of engaging rhythms

Maybe skip if you

prefer long, cohesive albums
dislike remixes and reinterpretations

Where this album fits

In the catalog: Deep Cut — An inventive remix EP that showcases adaptability but is not a major entry point.
Career context: Released in early 2010, The Remixes followed White Lies' critically acclaimed debut album, To Lose My Life..., which had established them in the post-punk revival scene. This EP marked their exploration of electronic influences, showcasing a willingness to reinterpret their sound through collaborations with various remix artists.
Stylistic neighbors: Interpol· Editors· The National

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Moments worth listening for

Where the writing does something specific.

Death

The lyric shifts from a reflective tone to an assertion of inevitability about mortality, creating a stark contrast in emotional weight.

This progression emphasizes the struggle between acceptance and denial, showcasing the songwriter's ability to weave deep themes into compelling narratives.