Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Strong songs and vivid performances carry the collection, but its catalogue-spanning sequence lacks the pacing and identity of a purpose-built album.
What we noticed
- The first six tracks alternate brisk, rowdy songs with darker narratives; “The Auld Triangle” then cuts the momentum with a slower, spare arrangement.
- The sequence moves between Pogues originals and a Rolling Stones cover, then closes with four songs from the band’s later period rather than building to a single finale.
- Sixteen tracks draw from different points in the catalogue, so changes in mood and sound arrive as selections rather than as one continuous album arc.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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3/10
- Sequencing 12% of the score
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4/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 If I Should Fall From Grace With God 2:22
- 2 The Sick Bed of Cúchulaínn 3:00
- 3 The Old Main Drag 3:19
- 4 Boys From the County Hell 2:56
- 5 Young Ned of the Hill 2:46
- 6 Dark Streets of London 3:32
- 7 The Auld Triangle 4:21
- 8 Repeal of the Licensing Laws 2:10
- 9 Yeah Yeah Yeah Yeah Yeah 3:19
- 10 London Girl 3:16
- 11 Honky Tonk Women 2:56
- 12 Summer in Siam 4:08
- 13 Turkish Song of the Damned 3:27
- 14 Lullaby of London 3:32
- 15 The Sunnyside of the Street 2:44
- 16 Hell’s Ditch 3:04
Reference: MusicBrainz · Wikidata
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