The Seduction of Kansas cover

The Seduction of Kansas

Priests · 2019

42 min · 12 tracks · punk rock

Punk urgency meets nervy dance rhythms as Katie Alice Greer’s voice cuts through a landscape of wiry guitars and uneasy hooks.

Top tracks — play these first

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    Jesus’ Son — The opener sets Greer’s urgent delivery against a driving rhythm, establishing the tension between the album’s sharp punk instincts and its larger-scale production.
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    The Seduction of Kansas — A danceable pulse carries a pointed examination of American mythmaking, making the title track a useful entry into the album’s political imagination.
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    Youtube Sartre — Its restless arrangement and collision of philosophy with internet culture show how the band brings abstract questions into a distinctly contemporary setting.
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    Texas Instruments — The closing track returns to questions of American identity with a tight rhythmic attack, ending the record on an unsettled note rather than offering an easy resolution.

Moments worth listening for

Where the writing does something specific.

  • The Seduction of Kansas

    The refrain repeatedly returns to Kansas as the song’s chosen place-name.

    That recurrence turns a specific geographic reference into an organizing symbol for the song’s examination of national identity.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Jesus’ Son 4:00
  • 2 The Seduction of Kansas 3:35
  • 3 Youtube Sartre 4:06
  • 4 I'm Clean 3:58
  • 5 Ice Cream 2:26
  • 6 Good Time Charlie 2:47
  • 7 68 Screen 4:03
  • 8 Not Perceived 5:32
  • 9 Control Freak 2:50
  • 10 Carol 4:35
  • 11 Interlude: I Dream This Dream in Which My Body Is My Own 1:08
  • 12 Texas Instruments 3:38

Reference: Wikipedia · MusicBrainz · Wikidata