Released 20 years ago
The Very Best of Johnny Mathis
Johnny Mathis · 2006
72 min · 22 tracks · pop music
Mathis’s floating tenor moves through orchestral ballads and polished pop with an intimacy that softens even the grandest arrangements.
Top tracks — play these first
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Chances Are — Mathis’s unhurried phrasing gives this early hit its air of private confession, even as the orchestral setting places it squarely in the era of lush pop balladry.
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Misty — His reading of the Erroll Garner standard lets the melody unfold with a gentle looseness that connects his pop ballad style to his jazz roots.
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Too Much, Too Little, Too Late Start here — Deniece Williams’s voice meets Mathis’s in a duet about a relationship ending, bringing a late-1970s soul-pop sheen to the compilation.
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The Twelfth of Never — A compact early ballad built around an impossible promise, it shows how Mathis can make an extravagant declaration sound carefully controlled.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
This compilation highlights Mathis's vocal strengths but lacks cohesive flow due to its extensive tracklist.
What we noticed
- Several tracks are arranged with lush orchestration, emphasizing the emotional weight of the lyrics and melodies.
- The first half of the album maintains a consistent tempo, while the latter half introduces a few more upbeat selections, creating a slight shift in energy.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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4/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- steady melodic journey throughout
- romantic ambiance for intimate moments
- nostalgic reflections on love
- for late-night listening
- lush ballads for relaxation
Maybe skip if you
- prefer upbeat, fast-paced tracks
- seek experimental soundscapes
Where this album fits
- In the catalog
- Starting Point — A comprehensive overview of Mathis's beloved songs for new listeners.
- Themes
- cinematic romance· smooth ballads· nostalgic love songs
- Career context
- Released in 2006, this compilation looks back across a career that began with Johnny Mathis’s 1956 debut album. It brings his late-1950s breakthrough recordings into conversation with later material, including his 1978 duet with Deniece Williams and a cover of Toni Braxton’s “Unbreak My Heart.”
- Stylistic neighbors
- Perry Como· Frank Sinatra· Nat King Cole
Tracklist
- 1 Too Much, Too Little, Too Late Start here 3:01
- 2 A Certain Smile 2:47
- 3 I’m Stone in Love With You 3:30
- 4 Misty 3:34
- 5 Gone Gone Gone 3:37
- 6 Chances Are 3:03
- 7 It’s Not for Me to Say 3:05
- 8 Friends in Love 4:04
- 9 Maria 3:47
- 10 My Love for You 3:06
- 11 On a Clear Day (You Can See Forever) 2:46
- 12 Prelude to a Kiss 2:54
- 13 The Twelfth of Never 2:28
- 14 Wild Is the Wind 2:25
- 15 Unbreak My Heart 5:01
- 16 You’re All I Need to Get By 2:40
- 17 Someone 2:57
- 18 When a Child Is Born 3:42
- 19 Feelings 3:28
- 20 Fly Me to the Moon 3:47
- 21 The Look of Love 3:42
- 22 (Where Do I Begin) Love Story 2:47
What to play next
Isn't It Romantic: The Standards Album
2005
Continues the romantic ballad theme with classic standards and smooth vocals.
Gold: A 50th Anniversary Celebration
2006
Sets the stage with a curated selection of iconic hits leading into the best of his work.
If this landed
Records by other artists that run on the same instinct.
Songs for Young Lovers
Frank Sinatra
Shares lush arrangements and romantic themes, ideal for late-night listening.
Love Is the Thing
Nat King Cole
Features smooth melodies and heartfelt ballads that evoke a similar nostalgic romance.
If I Should Love Again
Barry Manilow
Combines emotive vocals with orchestral backing, resonating with the same romantic sentiment.
Reference: Wikipedia · MusicBrainz · Wikidata
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