The World Is Not Enough
David Arnold · 1999
68 min · 19 tracks
Orchestral grandeur intertwines with electronic elements, creating a lush cinematic soundscape that propels the listener into the heart of espionage.
Top tracks — play these first
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The World Is Not Enough — This title track features sweeping orchestral arrangements paired with an evocative vocal performance, setting the tone for the entire film's narrative.
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Elektra’s Theme — Elektra’s Theme encapsulates the emotional depth of the character with its haunting melody, underscoring her complexity and pivotal role in the film.
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Going Down — The Bunker — A standout moment on the album, this track builds tension through its dramatic orchestration and pulsating rhythms, mirroring a key action sequence in the film.
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Only Myself to Blame — Closing out the album, this track delivers a reflective and somber tone with its intimate arrangement, offering a poignant contrast to the preceding action-driven pieces.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album blends orchestral and electronic elements effectively, showcasing Arnold's skill in film scoring while maintaining a cohesive sound.
What we noticed
- The orchestral arrangements feature sweeping strings and brass, creating a dramatic atmosphere that aligns with the film's espionage themes.
- Electronic elements are woven throughout, providing a modern texture that contrasts with the traditional orchestration.
- Several tracks incorporate motifs from previous Bond themes, reinterpreting them within the context of the new score.
- The album includes both action-driven pieces and more subdued, reflective moments, allowing for dynamic shifts in intensity.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- cinematic soundscapes for immersion
- pacing that builds suspense
- short tracks for quick bursts
- orchestral grandeur elevates moods
- adventurous spirit in every track
Maybe skip if you
- prefer straightforward song structures
- seek instant gratification tracks
Where this album fits
- Career context
- Released in 1999, The World Is Not Enough marked David Arnold's third entry as the composer for the James Bond film franchise after his successful work on Tomorrow Never Dies and the reestablishment of the series with a modern sound. This album solidified his role in redefining Bond music for a new generation, showcasing his ability to blend traditional orchestration with contemporary styles.
- Stylistic neighbors
- Hans Zimmer· Clint Mansell· Ludovico Einaudi
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 The World Is Not Enough 3:57
- 2 Show Me the Money 1:27
- 3 Come in 007, Your Time Is Up 5:19
- 4 Access Denied 1:33
- 5 M’s Confession 1:31
- 6 Welcome to Baku 1:42
- 7 Casino 2:57
- 8 Ice Bandits 3:42
- 9 Elektra’s Theme 2:06
- 10 Body Double 3:00
- 11 Going Down — The Bunker 6:27
- 12 Pipeline 4:15
- 13 Remember Pleasure 2:45
- 14 Caviar Factory 6:01
- 15 Torture Queen 2:22
- 16 I Never Miss 3:32
- 17 Submarine 10:20
- 18 Christmas in Turkey 1:28
- 19 Only Myself to Blame 3:37
Reference: Wikipedia · MusicBrainz · Wikidata
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