This Is a Recording cover

This Is a Recording

Lily Tomlin · 1972

46 min · 17 tracks

A lively tapestry of character-driven vignettes interspersed with sharp social commentary and Tomlin's signature humor.

Top tracks — play these first

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    Ernestine — This track highlights Tomlin's iconic character, the telephone operator Ernestine, who embodies both humor and critique of corporate culture. Her exaggerated delivery and sharp wit make it a standout piece that captures her unique style.
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    The Marriage Counselor — In this skit, Tomlin deftly navigates the absurdities of marital advice through an engaging dialogue that reveals both comedy and insight into relationships. The interplay between characters showcases her skill in character development.
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    Joan Crawford — Tomlin impersonates the legendary actress in a humorous yet poignant monologue that critiques Hollywood’s treatment of women. This track exemplifies her ability to blend satire with social commentary.
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    The Obscene Phone Call — This brief but impactful sketch plays on the absurdity of phone call interactions, demonstrating Tomlin's knack for creating tension and humor in unexpected scenarios. The comedic timing is impeccable.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

61 /100
Treeline
Higher than 71% of albums we've rated

Tomlin's blend of character-driven humor and social commentary creates a unique comedic experience.

What we noticed

  • The album features a series of character sketches, each with distinct voices and scenarios that showcase Tomlin's range.
  • Several tracks incorporate sound effects and musical interludes that enhance the comedic narratives.
  • The pacing varies significantly, with some sketches being rapid-fire while others allow for longer setups and punchlines.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
8/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
5/10

running order, pacing, length

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Alexander Graham Bell 2:41
  • 2 Mr. Veedle 3:29
  • 3 The Marriage Counselor 2:38
  • 4 Joan Crawford 3:26
  • 5 The Obscene Phone Call 0:59
  • 6 The Repairman 3:28
  • 7 The Bordello 3:04
  • 8 Strike 4:09
  • 9 Peeved 0:38
  • 10 Ernestine 1:42
  • 11 The Pageant 2:34
  • 12 The F.B.I. 3:07
  • 13 The Mafia and the Pope 2:59
  • 14 Mrs. Mitchell 4:39
  • 15 Awards Dinner 3:55
  • 16 Boswick 2:31
  • 17 I.B.M. 0:50

Reference: Wikipedia · MusicBrainz · Wikidata