Twilight Fields cover

Twilight Fields

Stephan Micus · 1988

46 min · 5 tracks · new age music

An ethereal journey through layered instrumentation and serene soundscapes, invoking deep introspection and a connection to nature.

Top tracks — play these first

  • →
    Twilight Fields, Part 1 — The opening track sets the tone with its expansive soundscapes, introducing listeners to the album's meditative quality and intricate layering that characterizes Micus' style.
  • →
    Twilight Fields, Part 2 — This part deepens the atmospheric elements introduced earlier, incorporating diverse instruments that create a sense of evolving rhythms and textures, enriching the listening experience.
  • →
    Twilight Fields, Part 5 — As the longest track, it encapsulates the culmination of themes present throughout the album, inviting listeners into an extended state of reflection and tranquility with its immersive sonic landscape.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental
65 /100
Treeline
Higher than 88% of albums we've rated

The album's immersive soundscapes and layered instrumentation create a cohesive and distinctive new age experience.

Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
8/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
7/10

whether it sounds like itself

Sequencing 12% of the score
9/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Twilight Fields, Part 1 8:39
  • 2 Twilight Fields, Part 2 8:09
  • 3 Twilight Fields, Part 3 4:37
  • 4 Twilight Fields, Part 4 10:12
  • 5 Twilight Fields, Part 5 15:01

Reference: Wikipedia · MusicBrainz · Wikidata