What makes Ultrahang by Chris Potter notable?

Ultrahang received critical acclaim for its adventurous spirit and masterful musicianship, solidifying Potter's reputation within the jazz community. The album exemplifies the innovative direction of contemporary jazz in the late 2000s and has influenced subsequent artists drawn to explorative sounds within the genre. Upon releasing Ultrahang in 2009, Chris Potter had already established himself as a prominent figure in the jazz scene, following acclaimed albums like 'Follow the Red Line' (2007). This album marks a continuation of his artistic evolution, blending complex compositions with spontaneous improvisation, showcasing his growth as a bandleader and musician.

Who is Ultrahang for?

Ultrahang works well if you're into sprawling explorations with improvisation, deep emotional resonance throughout tracks and lengthy pieces that invite focus.

How many songs are on Ultrahang?

Ultrahang has 8 tracks, running approximately 62 minutes.

Ultrahang

Chris Potter · 2009

62 min · 8 tracks · jazz

A cosmic journey through intricate melodies and expansive improvisations that merge free jazz with evocative storytelling.

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Top tracks — play these first

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Facing East — This track features a captivating interplay between Potter's saxophone and the rhythm section, creating an immersive listening experience that highlights the band's synchronicity and collective improvisational skills.
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Time's Arrow — With its complex time signatures and shifting dynamics, this composition showcases Potter's ability to weave intricate narrative threads through music while challenging conventional jazz structures.
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It Ain't Me, Babe — This reinterpretation of a Dylan classic reveals Potter's unique approach to familiar material, infusing it with fresh energy and expressing deep emotional nuances through his saxophone work.

Is this for you?

Good fit if you like

sprawling explorations with improvisation
deep emotional resonance throughout tracks
lengthy pieces that invite focus
dynamic shifts in pacing
immersive listening for introspection

Maybe skip if you

prefer short, catchy songs
seek predictable song structures

Where this album fits

Career context: Upon releasing Ultrahang in 2009, Chris Potter had already established himself as a prominent figure in the jazz scene, following acclaimed albums like 'Follow the Red Line' (2007). This album marks a continuation of his artistic evolution, blending complex compositions with spontaneous improvisation, showcasing his growth as a bandleader and musician.
Stylistic neighbors: Brian Blade· Mark Turner· Joshua Redman