Undrentide
Mediæval Bæbes · 2000
56 min · 19 tracks · classical music
Ethereal harmonies and medieval instrumentation create a haunting soundscape that transports listeners to a distant past.
Top tracks — play these first
-
→
Undrentide — The title track opens the album with enchanting vocal harmonies that encapsulate the ethereal essence of the entire project. Its rich layering sets a captivating tone for what follows.
-
→
Isabella — This track highlights the group's ability to merge historical lyrics with modern arrangements, creating an immersive experience that reflects both authenticity and innovation.
-
→
Summerisle (The Maypole Song) — A brief yet memorable piece, it showcases playful melodies entwined with traditional themes, illustrating the band's knack for capturing seasonal celebrations through song.
-
→
Veni Coronaberis — This track stands out for its rhythmic complexity and vocal interplay, effectively drawing listeners into a ceremonial atmosphere reminiscent of medieval festivities.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album blends medieval instrumentation with modern sensibilities, creating a unique and immersive listening experience.
What we noticed
- Many tracks incorporate layered harmonies, creating a rich, ethereal sound that evokes a sense of historical depth.
- The sequencing alternates between more upbeat pieces and slower, contemplative songs, maintaining a consistent mood throughout.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
8/10
- Sequencing 12% of the score
-
7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- mystical ambiance for quiet moments
- haunting vocals for introspective moods
- short tracks encourage repeated listens
- ethereal soundscapes for daydreaming
- delicate melodies evoke nostalgia
Maybe skip if you
- seeking high-energy dance tracks
- prefer straightforward song structures
Where this album fits
- Career context
- Released on September 12, 2000, Undrentide was the third studio album by Mediæval Bæbes, following their successful second album, Salva Nos. At this point in their career, the group had established themselves as influential figures in the neo-medieval music scene, blending historical themes with contemporary interpretations.
- Stylistic neighbors
- Enigma· Loreena McKennitt· Dead Can Dance
Moments worth listening for
Where the writing does something specific.
-
Isabella
The narrative shifts from a collective voice to a singular perspective, deepening emotional connection while recounting tales of longing.
This transition enhances the intimacy of the song, allowing listeners to engage more personally with the themes of love and desire.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Undrentide 4:49
- 2 Isabella 3:32
- 3 Quan Vey La Lauzeta 3:12
- 4 Besse Bunting 1:57
- 5 E Volentieri 4:28
- 6 Cantiga 1:48
- 7 Summerisle (The Maypole Song) 1:36
- 8 Averil 3:53
- 9 Secreit Nicht 1:38
- 10 Now Welcom Somer 2:21
- 11 Veni Coronaberis 2:54
- 12 Omnes Gentes Plaudite (The Drinking Song) 3:05
- 13 Lanquan Li Jorn 2:29
- 14 At a Springe-Wel 1:23
- 15 Dance of the Trolls 1:14
- 16 Maiden in the Mor Lay 2:47
- 17 E Volentieri (reprise) 4:48
- 18 Palästinalied 4:33
- 19 Aria 3:57
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.