Until the Ink Runs Out cover

Until the Ink Runs Out

Eighteen Visions · 2000

43 min · 9 tracks · alternative rock

A blend of metalcore aggression and post-hardcore melodies pulsates through intricate guitar work and raw emotional vocals.

Top tracks — play these first

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    She Looks Good in Velvet — This track opens the album with catchy hooks and a perfect balance of melody and heaviness, setting the tone for what follows.
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    Champagne and Sleeping Pills — The song features intricate guitar work paired with introspective lyrics, showcasing the band's ability to blend vulnerability with aggression.
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    Who the Fuck Killed John Jennon? / Elevator Music — This track's title reflects the band's irreverent attitude, while its shifts in tempo and intensity highlight their innovative songwriting approach.
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    Revolutionizing the Sound of Music — This track encapsulates the band's critique of commercialism in music while delivering an anthemic chorus that resonates with listeners.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

50 /100
Foothills
Higher than 23% of albums we've rated

The album blends metalcore and post-hardcore elements effectively, though it doesn't fully transcend its genre.

What we noticed

  • Vocals shift from raw screaming to clean singing within the same song, creating a dynamic contrast that engages the listener.
Composition 25% of the score
6/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
5/10

whether it rewards returning to it

Distinctiveness 18% of the score
7/10

whether it sounds like itself

Sequencing 12% of the score
6/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • steady mid-tempo energy flow
  • gritty emotional intensity throughout
  • lyrical wit with sharp edges
  • engaging storytelling from start

Maybe skip if you

  • prefer instant gratification tracks
  • avoid emotional lyrical depth

Where this album fits

Career context
Until the Ink Runs Out marked Eighteen Visions' third studio album, following their 1999 release, Until the Ink Runs Out. At this point in their career, they were solidifying their presence in the post-hardcore scene, transitioning into more melodic elements while maintaining their aggressive roots. This album followed a lineup change that brought a fresh dynamic to their sound.
Stylistic neighbors
Hopesfall· Underoath· Poison the Well

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 She Looks Good in Velvet 3:35
  • 2 She’s a Movie Produced Masterpiece 5:10
  • 3 Champagne and Sleeping Pills 6:14
  • 4 Who the Fuck Killed John Jennon? / Elevator Music 5:24
  • 5 The Nothing 5:29
  • 6 Wine ’em, Dine ’em, Sixty‐Nine ’em 3:47
  • 7 That Ain’t Elvis Playing Piano 3:48
  • 8 Revolutionizing the Sound of Music 3:46
  • 9 Prelude to an Epic / Flowers for Ingrid 6:27

Reference: Wikipedia · MusicBrainz · Wikidata