Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Its accordion-led polka-metal and shouted multilingual delivery give it a clear character, though repeated high-energy arrangements limit contrast and replay depth.
What we noticed
- The songs drive on brisk, polka-like rhythms, with accordion and other folk timbres cutting across distorted guitar rather than sitting apart from it.
- The vocals use shouted, communal delivery and move among German- and Scandinavian-sounding phrases, giving the songs a rowdy, singalong character.
- The 11-track sequence keeps returning to that high-energy folk-metal template, with no long instrumental centerpiece or extended slowdown to break its pace.
- Composition 25% of the score
-
6/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
-
5/10
- Distinctiveness 18% of the score
-
7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Wo bin ich jetz aufgewacht? 2:03
- 2 Der Jegermeister 4:23
- 3 Uraltes Elemente 3:13
- 4 Villanden 4:02
- 5 Per, pål og Brakebeins Abenteuer 0:57
- 6 Der Uhr ist skandaløst schändlich 3:22
- 7 God Fart 1:55
- 8 Festival 3:49
- 9 En ny Erfaring 2:27
- 10 Trinkenvisen 3:46
- 11 Die Kirche undt der Mache 7:28
Reference: MusicBrainz · Wikidata
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