A Raise of Eyebrows
Ron Geesin · 1967
36 min · 14 tracks · avant-garde music
Experimental soundscapes blend with whimsical narratives, creating a surreal auditory journey that defies conventional structure.
Top tracks — play these first
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It’s All Very New, You Know — This track exemplifies Geesin's ability to weave together complex sounds with humorous spoken word elements, capturing the essence of the album's playful experimentation.
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Freedom for Four Voices and Me — The piece showcases Geesin's skillful blending of vocal harmonies and instrumental texture, emphasizing his innovative approach to composition in avant-garde music.
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The Eye That Nearly Saw — This track highlights Geesin's exploration of sound through unconventional means, offering listeners a glimpse into the surreal landscape he creates throughout the album.
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We’re All Going to Liverpool — Featuring a catchy refrain paired with quirky instrumentation, this song encapsulates Geesin's whimsical style while maintaining an engaging narrative thread.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 A Raise of Eyebrows 2:21
- 2 Freedom for Four Voices and Me 2:30
- 3 Psychedelia 1:12
- 4 Positives 2:19
- 5 It’s All Very New, You Know 5:41
- 6 A Female! 0:26
- 7 Certainly Random 2:50
- 8 The Eye That Nearly Saw 4:34
- 9 Two Fifteen String Guitars for Nice People 2:34
- 10 From an Electric Train 3:27
- 11 A World of Too Much Sound 2:11
- 12 Another Female! 0:10
- 13 We’re All Going to Liverpool 4:01
- 14 Ha! Ha! But Reasonable 1:37
Reference: Wikipedia · MusicBrainz · Wikidata
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