After the Ball cover

After the Ball

John Fahey · 1973

31 min · 10 tracks · blues

A tapestry of fingerstyle guitar laced with Americana, blues, and folk influences that evokes a sense of nostalgia and warmth.

Top tracks — play these first

  • →
    New Orleans Shuffle — This track showcases Fahey's intricate fingerpicking style while blending jazz influences that nod to the vibrant music scene of New Orleans.
  • →
    I Wish I Knew How It Would Feel to Be Free — Fahey's rendition brings a fresh perspective to this classic, weaving soulful guitar lines that amplify the song's themes of liberation and yearning.
  • →
    After the Ball — The title track encapsulates the album's essence, merging wistful melodies with a reflective mood that speaks to nostalgia and longing.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

64 /100
Treeline
Higher than 79% of albums we've rated

Fahey's blend of fingerstyle guitar with folk and blues creates a distinctive sound that rewards attentive listening.

What we noticed

  • Several tracks incorporate traditional folk melodies, while others introduce more experimental elements, blending genres fluidly.
  • The last track, 'After the Ball', serves as a reflective conclusion, slowing down the pace significantly compared to earlier songs.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
8/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
7/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • nostalgic warmth in melodies
  • short tracks for quick enjoyment
  • playful rhythms for lighthearted moments
  • inviting fingerpicking details
  • for afternoon relaxation

Maybe skip if you

  • seekers of lengthy compositions
  • prefer high-energy listening experiences

Where this album fits

Career context
By 1973, John Fahey was transitioning from his earlier experimental work to more accessible sounds. 'After the Ball' represents a significant shift in his discography, coming after the critically acclaimed 'The Legend of Blind Joe Death' and showcasing his ability to blend traditional folk motifs with contemporary styles.
Stylistic neighbors
Leo Kottke· Bert Jansch· Nick Drake

Moments worth listening for

Where the writing does something specific.

  • I Wish I Knew How It Would Feel to Be Free

    The pivotal moment shifts from yearning for freedom to contemplating its implications through vivid imagery and emotive phrasing.

    This lyrical transition deepens the song’s impact by moving beyond mere desire, inviting listeners to engage with the complexities of personal liberation.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Horses 2:07
  • 2 New Orleans Shuffle 3:17
  • 3 Beverly 4:48
  • 4 Om Shanthi Norris 5:49
  • 5 I Wish I Knew How It Would Feel to Be Free 2:35
  • 6 When You Wore a Tulip (And I Wore a Big Red Rose) 2:33
  • 7 Hawaiian Two-Step 2:39
  • 8 Bucktown Stomp 2:14
  • 9 Candy Man 1:26
  • 10 After the Ball 3:39

Reference: Wikipedia · MusicBrainz · Wikidata