Ahmad Jamal '73
Ahmad Jamal · 1973
39 min · 7 tracks · jazz
A vibrant blend of cool jazz and rhythmic improvisation, showcasing intricate arrangements and soulful melodies.
Top tracks — play these first
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Superstition — This track reinterprets Stevie Wonder's classic with an intricate piano arrangement that underscores Jamal's ability to merge jazz with popular music sensibilities.
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Peace at Last — The composition blends serene melodies with complex rhythms, showcasing Jamal's mastery of mood and atmosphere in jazz.
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The World Is a Ghetto Start here — This track captures the essence of societal commentary through its improvisational style and emotive depth, reflecting Jamal's engagement with contemporary issues.
Is this for you?
Good fit if you like
- steady pacing for focused listening
- rich melodies for deep engagement
- inviting warmth for late evenings
- captivating rhythms for reflective moments
Maybe skip if you
- seekers of instant gratification
- prefer short, standalone tracks
Where this album fits
- In the catalog
- Critical Peak — Innovative approach to jazz standards marks a significant artistic achievement.
- Themes
- socio-political commentary· urban jazz landscapes· improvisational mastery
- Career context
- In 1973, Ahmad Jamal was at a pivotal point in his career, following the success of his groundbreaking album 'At The Pershing.' This release marked a return to the studio with a fresh ensemble after years of live performances, indicating Jamal's continued evolution as a leading figure in jazz music.
- Stylistic neighbors
- Bill Evans· Cecil Taylor· Oscar Peterson
Tracklist
- 1 The World Is a Ghetto Start here 9:44
- 2 Children of the Night 5:04
- 3 Superstition 4:03
- 4 Trilby 4:34
- 5 Sustah, Sustah 6:44
- 6 Soul Girl 3:25
- 7 Peace at Last 6:17
Reference: Wikipedia · MusicBrainz · Wikidata
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