Alessandro Rolla: Complete Works for Solo Viola, BI. 310 - 322
Marco Misciagna · 2025
47 min · 13 tracks · classical music
A rich tapestry of lyrical textures unfolds through the viola, showcasing an intimate dialogue between technique and emotion.
Top tracks — play these first
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Esercizio (capriccio) no. 2 in E-flat major, BI 311 — This track exemplifies Rolla’s playful yet technically demanding style, allowing Misciagna to showcase both virtuosity and expressive depth through its intricate passages.
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Romanza e preghiera (Rossini: Otello), BI 318 — The emotional weight of this piece highlights the viola’s lyrical capabilities, making it a perfect representation of Rolla's ability to evoke profound sentiments.
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Duetto: Pietosa al padre (Bellini: Il pirata), BI 322 — This duet showcases the viola’s dual role in harmony and melody, creating an intimate conversation that reflects the emotional heart of the opera from which it originates.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Intonazione no. 1 in C major, BI 310 0:57
- 2 Esercizio (capriccio) no. 2 in E-flat major, BI 311 6:39
- 3 Intonazione no. 2 in F major, BI 312 1:10
- 4 Esercizio (capriccio) no. 1 in F major, BI 313 3:59
- 5 Esercizio e Arpeggio (capriccio) no. 3 in G major, BI 314 5:24
- 6 Giro armonico, BI 315 1:32
- 7 Andante patetico (Vaccaj: Giulietta e Romeo, act III), BI 316 3:55
- 8 Andante (Rossini: Demetrio e Polibio, quartet), BI 317 2:50
- 9 Romanza e preghiera (Rossini: Otello), BI 318 6:25
- 10 Cavatina: Nel furor delle tempeste (Bellini: Il pirata), BI 319 1:42
- 11 Meco tu vieni (Bellini: La straniera), BI 320 3:21
- 12 Tu vedrai la sventurata (Bellini: Il pirata), BI 321 4:36
- 13 Duetto: Pietosa al padre (Bellini: Il pirata), BI 322 4:47
Reference: MusicBrainz · Wikidata
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