All or Nothing
Berry Sakharof · 1991
54 min · 13 tracks · rock music
A blend of rock and poetic lyricism, infused with Middle Eastern influences and layered instrumentation.
Top tracks — play these first
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אמונה עיוורת — This track showcases Sakharof's ability to merge evocative lyrics with compelling melodies, making it a standout example of his artistic vision.
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הכל או כלום — As the title track, it encapsulates the themes of the album, blending emotional depth with a powerful rock arrangement that resonates deeply.
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חלליות — Its experimental soundscapes and introspective lyrics highlight Sakharof's innovative approach to music during this period, pushing boundaries within the genre.
Is this for you?
Good fit if you like
- steady pacing for focused listening
- introspective themes for deep reflection
- consistent flow encourages full experience
- vibrant energy for afternoon enjoyment
Maybe skip if you
- prefer instant gratification tracks
- seek standalone hit singles
Where this album fits
- Career context
- Released on August 2, 1991, 'All or Nothing' was Berry Sakharof's third studio album, following his previous work 'The Last Dance'. At this point in his career, Sakharof was establishing himself as a prominent figure in the Israeli rock scene, known for his unique sound that combined rock elements with local musical traditions.
- Stylistic neighbors
- Avishai Cohen· Monica Martin· The War on Drugs
Moments worth listening for
Where the writing does something specific.
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אינני אוהב אותה
The perspective shifts from longing to resignation creates a poignant contrast within the song.
This shift not only deepens the emotional impact but also reflects a broader theme of acceptance found throughout the album.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 לחץ 4:46
- 2 האיש שבקיר 3:39
- 3 אמונה עיוורת 4:53
- 4 ערב חולה 4:06
- 5 השומר של הגן 3:51
- 6 שם יש 2:47
- 7 חלליות 4:25
- 8 אינני אוהב אותה 4:30
- 9 נימפה 4:07
- 10 הזמנה להצגה יומית 4:18
- 11 חתולים 4:22
- 12 למעלה 3:46
- 13 הכל או כלום 5:28
Reference: MusicBrainz · Wikidata
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