All Our Gods Have Abandoned Us cover

Released 10 years ago

All Our Gods Have Abandoned Us

Architects · 2016

49 min · 12 tracks · metalcore

A relentless fusion of metalcore aggression and haunting melodies, embodying a sense of existential despair.

Top tracks — play these first

  • →
    Nihilist Start here — Opening with a crushing intensity, this track sets the tone for the album's exploration of nihilism and existential dread, showcasing both ferocity and melody.
  • →
    A Match Made in Heaven — This track features anthemic choruses paired with heavy instrumentation, encapsulating the struggle between hope and despair that permeates the album.
  • →
    Memento Mori — Spanning over eight minutes, this closer blends progressive elements with emotional weight, making it a powerful meditation on mortality and remembrance.

Is this for you?

Good fit if you like

  • cathartic release of tension
  • steady mid-tempo progression
  • existential themes for reflection
  • intense energy for workouts
  • in-order listening experience

Maybe skip if you

  • prefer instant gratification tracks
  • seek lighthearted, upbeat vibes

Where this album fits

In the catalog
Breakthrough — This album marked a significant rise in Architects' prominence in the metalcore scene.
Themes
societal collapse· mortality reflection
Moods
Cathartic· Dark
Career context
All Our Gods Have Abandoned Us is Architects' seventh studio album, released in 2016 during a pivotal moment following the death of guitarist Tom Searle. This record represents a significant evolution in their sound, blending personal grief with broader themes of societal collapse, marking their ascent to prominence within the metalcore scene.

Tracklist

  • 1 Nihilist Start here 2:52
  • 2 Deathwish 3:53
  • 3 Phantom Fear 4:07
  • 4 Downfall 4:05
  • 5 Gone with the Wind 3:46
  • 6 The Empty Hourglass 4:12
  • 7 A Match Made in Heaven 3:50
  • 8 Gravity 3:19
  • 9 All Love Is Lost 4:21
  • 10 From the Wilderness 3:46
  • 11 Memento Mori 8:14
  • 12 Silver Bullet 3:07

Reference: Wikipedia · MusicBrainz · Wikidata