Released 30 years ago
All the Pretty Little Horses
Current 93 · 1996
53 min · 12 tracks · neofolk
Ethereal soundscapes blend haunting vocals and delicate instrumentation, evoking a dreamlike exploration of loss and longing.
Top tracks — play these first
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The Long Shadow Falls Start here — establishes the sonic palette early
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This Carnival Is Dead and Gone — This track encapsulates the album's melancholic essence with its vivid imagery and poignant reflection on mortality, making it a standout representation of Tibet's lyrical prowess.
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The Bloodbells Chime — With its hypnotic rhythm and evocative lyrics, this track embodies the haunting atmosphere that permeates the album, drawing listeners into its eerie world.
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All the Pretty Little Horses — The title track concludes the album with a haunting lullaby quality, synthesizing themes of innocence and loss that echo throughout the project.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album's ethereal soundscapes and haunting vocals create a unique listening experience within neofolk.
What we noticed
- The album features layered instrumentation with strings and ambient sounds that create a dense, atmospheric backdrop for the vocals.
- Vocals are often delivered in a whisper or soft tone, enhancing the ethereal quality and contributing to a sense of intimacy.
- Several tracks incorporate spoken word elements, which disrupt traditional song structures and add to the dreamlike narrative.
- The sequencing includes abrupt transitions between tracks, which can create a disorienting effect that mirrors the themes of loss and longing.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- haunting exploration of existence
- wave-like pacing with resolution
- immersive journey through darkness
- reflective moments of stillness
Maybe skip if you
- seeking upbeat and fast tempos
- prefer standalone tracks over cohesion
Where this album fits
- In the catalog
- Critical Peak — Significant acclaim in underground circles, pivotal for neofolk movement.
- Themes
- mortality and loss· haunting childhood innocence· apocalyptic folklore
- Career context
- Released in 1996, All the Pretty Little Horses marked Current 93's artistic evolution following their acclaimed album Thunder Perfect Mind. This album further solidified David Tibet's enigmatic presence in the neofolk genre, showcasing his unique blend of poetry and music amidst a backdrop of shifting sonic landscapes.
- Stylistic neighbors
- Death in June· Sol Invictus· Nature and Organisation
Tracklist
- 1 The Long Shadow Falls Start here 2:17
- 3 Calling for Vanished Faces I 1:52
- 4 The Inmost Night 2:18
- 5 This Carnival Is Dead and Gone 3:13
- 6 The Bloodbells Chime 3:00
- 7 Calling for Vanished Faces II 4:12
- 8 The Frolic 8:13
- 9 The Inmost Light 1:47
- 10 Twilight Twilight Nihil Nihil 8:24
- 11 The Inmost Light Itself 9:31
- 12 All the Pretty Little Horses 2:36
- 13 Patripassian 5:50
If this landed
Records by other artists that run on the same instinct.
Rose Clouds of Holocaust
Death in June
Explores similar themes of mortality and loss with a haunting neofolk sound.
The Seer
Swans
Shares an intense atmosphere and existential themes, blending folk elements with experimental noise.
Murder Ballads
Nick Cave and the Bad Seeds
Delves into dark storytelling and apocalyptic folklore, resonating with themes of death and innocence.
Reference: Wikipedia · MusicBrainz · Wikidata
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